VR/360 Video workshop in Brighton

off to Brighton for some VR/360 video workshops.

Posted: October 13th, 2016
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VR installation for Kalimpong exhibition @ Timothy Taylor Gallery London



Together with amoeba, I created a 5 scene narrative VR installation for Shezad Dawood’s ‘Kalimpong’ Exhibition at Timothy Taylor Gallery in London. See it yourself from 16 September until 22 October 2016.

‘Take a mind-bending virtual tour of Bengal’s Kalimpong, the ‘home of the Yeti’
Wired review

Frieze review

‘Pioneers of virtual reality art’
Financial Times review

Posted: September 1st, 2016
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VR Workshop @ The End of Film

From August 22nd until August 26th I will do a workshop and coaching at The End of Film for 20 Film/Art students from Belgium and The Netherlands.

Posted: August 10th, 2016
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Real-time cinema research presentation at Unite Europe 2016

Harry Schreurs and Jilt van Moorst present their real-time cinema research at Unite Europe 2016 in Amsterdam.

Posted: July 21st, 2016
Categories: real-time cinema research, Uncategorized, VR
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Can virtual reality film be called film at all?

Can virtual reality film be called film at all?

Posted: June 9th, 2016
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‘The Cube’ VR Theatre piece



Commissioned by Simon Wilkinson, amoeba and I developed The Cube, a non-linear VR narrative experience with actor and audience interaction.

Posted: May 17th, 2015
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OptiTrack Motive mocap streaming into Unity

OptiTrack Motive streaming real-time into Unity.

Posted: February 12th, 2015
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Found a surprise on my desk this morning. Meindert prepared the new ‘lightweight’ virtual camera rig for testing Lightcraft Previzion in our test studio. See if you can spot the actual (Blackmagic) camera.

Posted: January 7th, 2015
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much better mocap results

So it looks like my hunch was correct. Here you can see the results of our first mocap test with the wide angle lens retrofitted to the 12 OptiTrack cameras. So much better…. ¬†Thanks Lukas for the moves!

Posted: January 7th, 2015
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lens change

Trying out some things after getting disappointing results in the motion capture studio. The problem is likely to be that the space is so small that the cameras are really close together and have very little overlapping view. Today was spent fitting a wider angle lens to our 12 IR cameras and getting them in focus. 

Posted: December 17th, 2014
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